This essay proposes nonsynchronous juxtaposition as a narrative device to critically engage with the complex historical legacies of the Bandung Conference 1955 and to reclaim the anticolonial poetic of the Bandung Spirit’s transnational solidarity with a classed and gendered perspective of migrant workers’ contemporary struggles. It argues that juxtaposition forges “Bandung chronopolitics”, a postcolonial politics of time that invokes affective entanglements of historical memories and present anticolonial transnational struggles.